(2026) by Stacey Collee
nmp.32 Ov (Of)
(2026) by Queenie Thirlwell Carling
nmp.33 SWARMS OF ANGELS
(2026) by Tooms & Benjamin Ilobuchi
2026, special paperback
hand stamped, editions vary.
first edition, edition of 100, signed
nmp.31: 68 pages, 210 x 99 mm
nmp.32: 58 pages, 210 x 99 mm
nmp.33: 52 pages, 210 x 99 mm
the first editions of nmp.31, 32 & 33 are sold as a set containing all three titles.
together, this collection of finite publications move through confessional writing, lyric abstraction and fragmentation — each self-standing, the titles are linked together as a collection that maps the breadth of the house's publishing rationale: real/absurd, rye/artful, opaque/transparent.
nmp.31 — Sex, Love by Stacey Collee
Sex , Love compiles anecdotes, encounters and after-images into a light sequence of spirited poems. Collee writes with a disarming plainness that refuses resolution, holding confession at the point where it becomes social fact, repetition, and scene. the poems are light in form but wide reaching in spirit. many small, bright and lucid images like pebbles. eager-pearlescence of tiny photographs, of life-moments shown in the hopeful neutrality of love.
nmp.32 — Ov (Of) by Queenie Thirlwell Carling
Ov (Of) arrives as a collection of poems that move like ditties — small, tuneful, deceptively simple. but beneath the familiar tempo is something stranger: a writing that seeks a betweenness of mind and world, that witnesses knowing and welcomes not knowing. the poems contemplate edges and ripples ov (of) language. these are poems that reach directly in their rhythm and then: a strange perspective emerges.
nmp.33 — Swarms of Angels by Tooms & Benjamin Ilobuchi
Swarms of Angels moves by fragment, gag, threat and recurrence. Perhaps a poetics of strange survival, or tonal whiplash, even ruined speech. Brutal, funny, brief and oddly buoyant, the work treats endurance not as triumph but as a condition: the world persists angularly.